Our team has offered to be your personal shopper, selecting unique items from the Interweave store and others to help you find the perfect gift for the fiber artists in your life.
Today is Thanksgiving Day in the U.S., a day when we gather with family and friends, stuff ourselves with traditional foods (or their vegetarian, gluten-free, low-sodium versions), and reflect on what we are thankful for. Some of us also watch football.
Let's face it, lately quilters and fiber artists seem to love creating portraits--from pixel quilt designs, to collaged faces, to thread painting and sketching techniques.
If you've never hand-dyed fabric before, the process can seem intimidating. Yet learning how to dye fabric is not that different from learning how to cook. If you follow the recipe and take simple safety precautions, you will almost always end up with a feast of delicious color.
In The Art of Thread Sketching: Free Thread Drawing and Thread Painting Techniques, five quilt artists show you how to turn machine stitching into drawings with thread. Depending on the style and density of the stitching, thread sketching and thread painting can stand on its own or be combined with other techniques to give your quilt motifs dimension and life.
In the April/May issue of Quilting Arts I have an interview with artist Kate Themel, and I'm so excited by her painterly machine quilting and our conversation, I decided to give you a sneak peek.
Maybe the most important lesson I've learned from Rayna is that rules and perfection are overrated—at least when it comes to surface design and art quilting. In fact, I think it's her laid-back attitude, coupled with a keen eye for color and design, that makes her such a brilliant artist.
One of the differences between art quilting and traditional quilting as that in art quilting, thread is almost always part of the design. The choice of thread in machine embroidery, in particular, can affect the look of the quilt.
A note from Vivika: Today our topic is mixing fiber art with wet media (specifically watercolor) to use in surface design. So, I called in my mixed-media colleague Cate Prato, Editor of Cloth Paper Scissors Today, to serve as guest blogger. Take it away, Cate!
Just as the summer is winding down (sniff!), so is the celebration of 10 years of Quilting Arts Magazine. It's not a sad ending, though, because it's been really gratifying to revisit all the talented artists we've worked with and all the gorgeous artwork that has come through our offices and into our pages.
Last week while back in Massachusetts I picked up a few essential Christmas mementos to send to our new Colorado home. As I was packing them up at Quilting Arts headquarters, people gathered around to comment.
I first became aware of Elin Waterston through the Quilting Arts reader challenges, particularly our annual calendar contests. Very quickly, our team came to recognize Elin's distinctive brand of well-thought-out, uncluttered design featuring a strong focal point.
Is there such a thing as too much texture? I don't think so! Texture is what we art quilters are all about. Texture is what excites the quilt artist and it's what entices the art quilt viewer to come up and take a closer look. Plus, adding more texture to our quilts gives us a great excuse to get in the studio and play!