We all have days when we get bored with our everyday routine, don't we? But what if we could simply redirect the ordinary, turn the common into the uncommon, or make the expected unexpected?
Many people--me among them--admire Jane LaFazio's approach to fiber art and quilt making. Jane's ability to pull from different sources and mix a variety of techniques--while keeping with a common theme--makes her work distinctive.
What do you get out of fiber and quilting arts? A pile of quilts? An expression of your creativity? A way to escape the world? An excuse to go to the fabric store? As quilting artists, we all have our reasons--and they're all valid
When I first discovered art quilting, heavily encrusted, beaded quilts were very popular due to a revival of crazy quilting. For a while, paint, needle felting, and fabric manipulation became more popular as surface embellishment--and that's still true. But I see beaded embellishments are making a comeback, especially in combination with embroidery.
Scraps, scraps, scraps! If you create fiber art, fabric scraps are a way of life. Too pretty (or expensive) to throw away, too many to keep contained. They must be good for something!
Last month at QuiltCon, the Modern Quilt Guild show, I noticed several trends, but one really stood out: portrait quilts. And one portrait quilt in particular stood out: Face #1.
When you learn to quilt, the first lesson is that a quilt is made up of three elements: the top, the batting, and the backing fabric. Together they are known as a quilt sandwich.
Fabric painting can take many forms, from applying fabric paint with a brush to stamping on fabric. In the February/March 2015 issue of Quilting Arts Magazine, Ana Buzzalino shows how to paint on fabric using Shiva® Paintstiks and handmade rubbing plates.
This winter has been so long and snow-filled in my part of the world, it seems spring might never come. Of course I know it WILL come, but in the meantime, I'm getting my color fix from fabric, fibers, and quilt art.
I left my heart in Austin...QuiltCon, the show put on by The Modern Quilt Guild (MQG), might be smaller in number of attendees and the amount of quilts on display than some of the larger shows
If I told you to go to you LQS to get some PFD so you could finish your ATC you HST, would you know what I was talking about? Quilters use many abbreviations to communicate basic quilting terms.
The 1970s were know for wild wallpaper, orange and brown plaid couches, and bell-bottoms--but quilt designs?
Do you know how to appliqué? Many people are only familiar with hand appliqué, but there are many methods, from raw-edge appliqué to machine appliqué using a satin stitch
When it comes to quilt finishing, I've always resorted to an easy quilt binding like the pillowcase method. Sometimes I even leave a raw edge. Because I usually make small fabric collage quilts, these techniques have worked.
Is it a coincidence that the word "text" can be found in "texture" and "textiles"? Maybe so. But whether you scribble on background fabric with a permanent pen or make a focal point with 3-D embellished letters, text adds texture to textiles.