At farmer's markets and fiber festivals, I'm always attracted to the handmade scented soaps and baskets of dyed wool roving. Both are a feast for the senses!
If you quilt, you have fabric scraps. Some people keep only the large ones, while others--particularly fabric collage artists--save every teensy piece. After all, you never know when you're going to need that sparkly bit for a bird's eye or the tip of a magic wand.
In our updated free photo transfer eBook, 4 Inspired Quilts Using Image Transfer Techniques, you'll find unusual ways to turn photos into stunning art quilts.
Few quilting artists have all the time they want for creating fiber art & quilts. But accomplishing more--while still enjoying it and doing a good job--is often a matter of efficiency rather than speed.
What does the terms "sewing appliques" mean to you? Do you think of hand applique? Machine applique? The applique stitch?
I am a big fan of handmade objects and hands-on techniques. Technology is not always my friend. But my perspective changed when I saw Diane Rusin Doran create awesome hand dyed-fabric effects with digital quilting imagery.
Many people--me among them--admire Jane LaFazio's approach to fiber art and quilt making. Jane's ability to pull from different sources and mix a variety of techniques--while keeping with a common theme--makes her work distinctive.
What do you get out of fiber and quilting arts? A pile of quilts? An expression of your creativity? A way to escape the world? An excuse to go to the fabric store? As quilting artists, we all have our reasons--and they're all valid
When I first discovered art quilting, heavily encrusted, beaded quilts were very popular due to a revival of crazy quilting. For a while, paint, needle felting, and fabric manipulation became more popular as surface embellishment--and that's still true. But I see beaded embellishments are making a comeback, especially in combination with embroidery.
Scraps, scraps, scraps! If you create fiber art, fabric scraps are a way of life. Too pretty (or expensive) to throw away, too many to keep contained. They must be good for something!
Last month at QuiltCon, the Modern Quilt Guild show, I noticed several trends, but one really stood out: portrait quilts. And one portrait quilt in particular stood out: Face #1.
When you learn to quilt, the first lesson is that a quilt is made up of three elements: the top, the batting, and the backing fabric. Together they are known as a quilt sandwich.
Fabric painting can take many forms, from applying fabric paint with a brush to stamping on fabric. In the February/March 2015 issue of Quilting Arts Magazine, Ana Buzzalino shows how to paint on fabric using Shiva® Paintstiks and handmade rubbing plates.
If I told you to go to you LQS to get some PFD so you could finish your ATC you HST, would you know what I was talking about? Quilters use many abbreviations to communicate basic quilting terms.
Do you know how to appliqué? Many people are only familiar with hand appliqué, but there are many methods, from raw-edge appliqué to machine appliqué using a satin stitch