Do you know the difference between tulle and mesh? Organza and chiffon? Sheer fabrics can be a sheer delight in your fiber art. But there are special tricks and tips to selcting and stitching sheer materials in fabric collage.
I've always found quilters to be a generous bunch, always ready to share a technique or some fabric from their stash.
Of all the embellishment techniques you've used in your quilting, have you ever tried laminated imagery? I know I haven't. But when Stella Belikiewicz submitted her tutorial for using lamination to embellish her art quilts, we were captivated by the results.
A note from Vivika: While I'm on medical leave, my dog, Elvis,
has been keeping me company. His presence--and frequent antics--lift my
spirits. Pets are so important in our lives--and often in our fabric art--so today I thought I'd share this Q&A with Quilting Daily Community member Martha Tabis from 2010.
When you make a quilt, at some point you will have to consider the quilt binding. You may opt for an elaborate binding that makes an impact on the overall design, a simple and subtle binding, or no binding at all.
Last year about this time, I was inspired by a group dyeing adventure at the Interweave offices to host my own dyeing party at home.
more closely I watch birds, the more fascinated I have become with
trying to capture their colors and textures using fabric and stitchery. I have developed a design and sewing technique for "capturing the moment" in cloth and quilting stitches.
Fiber artist Deborah Boschert loves to include unexpected and surprising materials in her fabric collages-window screening, telephone cording, paint chips-it's all fodder for her fabric art.
In The Art of Thread Sketching: Free Thread Drawing and Thread Painting Techniques, five quilt artists show you how to turn machine stitching into drawings with thread. Depending on the style and density of the stitching, thread sketching and thread painting can stand on its own or be combined with other techniques to give your quilt motifs dimension and life.
I'm an equal-opportunity fabric monger: I drool just as much over hand surface-designed fabrics. I gobble up every new technique and have even tried some fabric stamping, ice dyeing, resist dyeing, and fabric painting. I love it.
My mother used to say to me, "Patience is a virtue." And I used to respond, "Why?" I am not a naturally patient person, and while I now understand the value of this virtue, I still like to skip to the "fun parts" whenever possible.
flowers lend beauty and texture to a piece of fiber art, but they are
not easily accomplished. When I saw Barb Forrister's demonstration of
how to make realistic looking flowers with a combination of machine
embroidery and surface design techniques, however, I was intrigued and
wanted to share the process with you.
Here's a little exercise that gives you a chance to flex your mixed-media stitch muscles and produce a little piece of fabric art.
Last year when Pantone announced its Color of the Year—Tangerine Tango—I was a fan. I like cheerful, sunny colors, and this one hit the spot for me. I could see using it in different modes, from fabric to embroidery, to surface design techniques.
Usually when we hear the word shibori, we think of dyeing. Shibori dyeing come from the Japanese term for several methods of resist dyeing using binding or tying, stitching, folding, twisting, compressing it, or capping to create patterns.