Of all the printmaking techniques for fabric, sun printing has to be one of the most fun. It's truly magical to watch the "prints" develop right before your eyes. All the printmaking supplies you need are the sun, stencils or objects to "resist" the light, fabric, and a chemical solution that reacts to UV light.
Many fiber artists use a sketchbook to collect ideas, record textures, try out layouts, and even sketch. But how do you transfer drawings you love to your fabric designs? One way is to make a stamp for printing on fabric.
Usually when hand-dyeing fabric
you're trying to put color in. With discharge dyeing, your objective is
to remove color in an artistic way. You can create patterns on fabrics
using many of the same methods you would use for other surface design
processes, including painting and shibori techniques.
If you've never hand-dyed fabric before, the process can seem intimidating. Yet learning how to dye fabric is not that different from learning how to cook. If you follow the recipe and take simple safety precautions, you will almost always end up with a feast of delicious color.
In The Art of Thread Sketching: Free Thread Drawing and Thread Painting Techniques, five quilt artists show you how to turn machine stitching into drawings with thread. Depending on the style and density of the stitching, thread sketching and thread painting can stand on its own or be combined with other techniques to give your quilt motifs dimension and life.
In the April/May issue of Quilting Arts I have an interview with artist Kate Themel, and I'm so excited by her painterly machine quilting and our conversation, I decided to give you a sneak peek.
During almost a year of sharing quilting ideas with you via the Quilting Daily blog, I've noticed something interesting: circles are popular. Whether the circles are sewn with hand stitching or machine quilting doesn't matter. Every time I write about circle motifs, the post gets a big response.
Maybe the most important lesson I've learned from Rayna is that rules and perfection are overrated—at least when it comes to surface design and art quilting. In fact, I think it's her laid-back attitude, coupled with a keen eye for color and design, that makes her such a brilliant artist.
One of the differences between art quilting and traditional quilting as that in art quilting, thread is almost always part of the design. The choice of thread in machine embroidery, in particular, can affect the look of the quilt.
A note from Vivika: Today our topic is mixing fiber art with wet media (specifically watercolor) to use in surface design. So, I called in my mixed-media colleague Cate Prato, Editor of Cloth Paper Scissors Today, to serve as guest blogger. Take it away, Cate!
In this free eBook, Free-Motion Machine Quilting Techniques: 81 Tips for Free-Motion Quilting, Thread Sketching and Quilting Motifs, three highly respected quilt artists, Frieda Anderson, Robbi Joy Eklow, and Susan Brubaker Knapp share their knowledge and expertise for successful free‑motion quilting and thread sketching.
Just as the summer is winding down (sniff!), so is the celebration of 10 years of Quilting Arts Magazine. It's not a sad ending, though, because it's been really gratifying to revisit all the talented artists we've worked with and all the gorgeous artwork that has come through our offices and into our pages.
Last week while back in Massachusetts I picked up a few essential Christmas mementos to send to our new Colorado home. As I was packing them up at Quilting Arts headquarters, people gathered around to comment.
I first became aware of Elin Waterston through the Quilting Arts reader challenges, particularly our annual calendar contests. Very quickly, our team came to recognize Elin's distinctive brand of well-thought-out, uncluttered design featuring a strong focal point.