I'm an equal-opportunity fabric monger: I drool just as much over hand surface-designed fabrics. I gobble up every new technique and have even tried some fabric stamping, ice dyeing, resist dyeing, and fabric painting. I love it.
Last year when Pantone announced its Color of the Year—Tangerine Tango—I was a fan. I like cheerful, sunny colors, and this one hit the spot for me. I could see using it in different modes, from fabric to embroidery, to surface design techniques.
Usually when we hear the word shibori, we think of dyeing. Shibori dyeing come from the Japanese term for several methods of resist dyeing using binding or tying, stitching, folding, twisting, compressing it, or capping to create patterns.
Where I live in New England, it gets dark at about 4:30 p.m. in the depths of winter. So when Daylight Savings Time kicks in and the snow banks start to melt, I'm itching to get outside and do some fabric painting and dyeing.
I returned to New England from QuiltCon in Austin, Texas, this week, I
couldn't help but notice: it snowed again while I was gone. Yes, while I
was in the climate-controlled comfort of the exhibit halls surrounded
by colorful quilts--and quilters--Mother Nature had thrown another heavy
blanket of snow over my region.
In the April/May issue of Quilting Arts I have an interview with artist Kate Themel, and I'm so excited by her painterly machine quilting and our conversation, I decided to give you a sneak peek.
I've found that setting aside 15-20 minutes a day of "play time" works for me. Whether it is spent hand quilting, making a patchwork quilt for a friend, or spreading paints or inks on fabric in my studio for some surface design fun—it doesn't matter to me as long as I am tapping into my creativity.
If you want to give your art quilts or fiber art a unique design, one of the easiest ways is with fabric painting and surface design techniques. And one of the simplest ways to apply fabric paints or inks in a unique way is with monoprinting.
Last week I shared a pillow project by Candy Glendening, noting how the simplicity of the design allowed her hand-dyed fabrics to take center stage. Today I thought give you some insight into Candy's fabric dyeing process.
I always smile when I see the Fiesta Ornaments that Judy Coates Perez makes by painting on fabric, quilting the painted motifs, and then stitching on a frame of embossed craft metal.
Recently, I shared Marcia Derse's tips for making your own fabric stamps for resist dyeing. The way that Marcia came to surface design and incorporates fabric painting and dyeing techniques into her quilt art fascinates me so much, I thought I'd give you some insight into her thought process.
Art quilting can be an expensive hobby. A good-quality sewing machine, specialty threads, and stacks and stacks of fat quarters, are just the beginning. It always seems like there's some new gadget, tool, or surface-design supply I absolutely must have.
In this free e-Book, Handmade & Holiday Gift Ideas: 6 Free Homemade Gift Ideas for Art Quilters, we offer you six easy gifts to make for your friends or your own home décor.
During almost a year of sharing quilting ideas with you via the Quilting Daily blog, I've noticed something interesting: circles are popular. Whether the circles are sewn with hand stitching or machine quilting doesn't matter. Every time I write about circle motifs, the post gets a big response.
What do you get when six fiber artists pass a piece of fabric around, adding surface design as they go? When In Stitches Editor Jane Dávila first proposed the idea of applying the collaborative concept of a round robin to surface design, I was worried the result might be a mess.