I've always found quilters to be a generous bunch, always ready to share a technique or some fabric from their stash.
Last year about this time, I was inspired by a group dyeing adventure at the Interweave offices to host my own dyeing party at home.
In The Art of Thread Sketching: Free Thread Drawing and Thread Painting Techniques, five quilt artists show you how to turn machine stitching into drawings with thread. Depending on the style and density of the stitching, thread sketching and thread painting can stand on its own or be combined with other techniques to give your quilt motifs dimension and life.
I'm an equal-opportunity fabric monger: I drool just as much over hand surface-designed fabrics. I gobble up every new technique and have even tried some fabric stamping, ice dyeing, resist dyeing, and fabric painting. I love it.
Last year when Pantone announced its Color of the Year—Tangerine Tango—I was a fan. I like cheerful, sunny colors, and this one hit the spot for me. I could see using it in different modes, from fabric to embroidery, to surface design techniques.
Usually when we hear the word shibori, we think of dyeing. Shibori dyeing come from the Japanese term for several methods of resist dyeing using binding or tying, stitching, folding, twisting, compressing it, or capping to create patterns.
Where I live in New England, it gets dark at about 4:30 p.m. in the depths of winter. So when Daylight Savings Time kicks in and the snow banks start to melt, I'm itching to get outside and do some fabric painting and dyeing.
I returned to New England from QuiltCon in Austin, Texas, this week, I
couldn't help but notice: it snowed again while I was gone. Yes, while I
was in the climate-controlled comfort of the exhibit halls surrounded
by colorful quilts--and quilters--Mother Nature had thrown another heavy
blanket of snow over my region.
In the April/May issue of Quilting Arts I have an interview with artist Kate Themel, and I'm so excited by her painterly machine quilting and our conversation, I decided to give you a sneak peek.
Here's a way to practice your free-motion stitching
skills and add a mixed-media element to your machine quilting. In honor
of Valentine's Day, it's heart art from our sister publication Cloth Paper Scissors, one of my favorite sources of fiber art inspiration.
I've found that setting aside 15-20 minutes a day of "play time" works for me. Whether it is spent hand quilting, making a patchwork quilt for a friend, or spreading paints or inks on fabric in my studio for some surface design fun—it doesn't matter to me as long as I am tapping into my creativity.
If you want to give your art quilts or fiber art a unique design, one of the easiest ways is with fabric painting and surface design techniques. And one of the simplest ways to apply fabric paints or inks in a unique way is with monoprinting.
Last week I shared a pillow project by Candy Glendening, noting how the simplicity of the design allowed her hand-dyed fabrics to take center stage. Today I thought give you some insight into Candy's fabric dyeing process.
I always smile when I see the Fiesta Ornaments that Judy Coates Perez makes by painting on fabric, quilting the painted motifs, and then stitching on a frame of embossed craft metal.
Recently, I shared Marcia Derse's tips for making your own fabric stamps for resist dyeing. The way that Marcia came to surface design and incorporates fabric painting and dyeing techniques into her quilt art fascinates me so much, I thought I'd give you some insight into her thought process.