Few quilting artists have all the time they want for creating fiber art & quilts. But accomplishing more--while still enjoying it and doing a good job--is often a matter of efficiency rather than speed.
Many people--me among them--admire Jane LaFazio's approach to quilt making. She has a way of combining hand stitching, machine stitching, surface design, mixed-media, and even machine needle felting to create beautiful and unusual pieces of fiber art.
I was so happy to see so many hand embroidery designs at Quilt Market last month. I began learning hand sewing techniques as a young girl, and hand embroidery is still one of my favorite pastimes.
Here it is, the second week of January, and I still haven't settled on
my Word of the Year. You know, the mantra that you use to help you focus
on what you want to accomplish before the next time the ball drops.
What's black and white and fun all over? One of Jamie Fingal's quilts. Jamie considers herself a rebel quilter, saying "no" to batting, bindings, pins, and rules
One of the recent trends that seems to have come out of nowhere is the popularity of English paper piecing patterns. They're everywhere you look!
Hand-sewing techniques and embroidery are so much easier if you use the right tools. Sharp needles, tiny scissors, and exquisite threads are in every sewing kit, but the humble thimble is often overlooked.
I enjoy raw-edge appliqué for many reasons. It's certainly a faster way of appliqué quilting than than hand appliqué and I like the extra texture it brings to my fiber art.
Right now, I'm looking for quick quilting projects to make. Running through the file of quilting ideas I keep in my head, I remembered these sweet little free-motion stitched stockings by Diane Rusin Doran from Quilting Arts Gifts 2011.
During almost a year of sharing quilting ideas with you via the Quilting Daily blog, I've noticed something interesting: circles are popular. Whether the circles are sewn with hand stitching or machine quilting doesn't matter. Every time I write about circle motifs, the post gets a big response.
Every Tuesday, the teams from Quilting Arts, Cloth Paper Scissors, and Stitch magazines gather in the common area of our office space for show and tell. Each week, we ooh and aah over projects big and small-from handmade quilts to encaustic experiments to toss pillow covers.
I almost fell off my chair laughing when I saw this fiber art postcard from U.K. artist Priscilla O'Rourke. It seems no sooner had she received her copy of the February/March issue of Quilting Arts Magazine than she turned a photo of the staff she found on the Editor's note page into quilted imagery.
I started Cloth Paper Scissors magazine back in 2004 in part to give voice to forms of art that mixed fabric and stitch with paint, glue, and embellishment but were not strictly speaking art quilts. Forms like altered books, fabric and paint collages, shrines, assemblages, and paper quilts.