I am a big fan of handmade objects and hands-on techniques. Technology is not always my friend. But my perspective changed when I saw Diane Rusin Doran create awesome hand dyed-fabric effects with digital quilting imagery.
So many of today's fiber artists have a desire to design their own fabrics. We can do it in our studios with surface design techniques and create a single piece of fabric, or we can design the fabric online and have it printed by an on-demand printing company.
We all have days when we get bored with our everyday routine, don't we? But what if we could simply redirect the ordinary, turn the common into the uncommon, or make the expected unexpected?
Many people--me among them--admire Jane LaFazio's approach to fiber art and quilt making. Jane's ability to pull from different sources and mix a variety of techniques--while keeping with a common theme--makes her work distinctive.
Most quilt artists have a good eye for color, pattern, and what goes together. If they didn't, they probably wouldn't be quilting. But when deciding how to make a patchwork quilt design, your fabric choices can make a big difference in how the overall design looks.
When I first discovered art quilting, heavily encrusted, beaded quilts were very popular due to a revival of crazy quilting. For a while, paint, needle felting, and fabric manipulation became more popular as surface embellishment--and that's still true. But I see beaded embellishments are making a comeback, especially in combination with embroidery.
Many quilters who use appliqué, patchwork patterns, or repeated motifs in their art swear by die-cut machines. The machines can save time, make cutting easier on the hands and back (no endless hours with the rotary cutter and mat), and improve accuracy.
There is something deeply satisfying about taking one's time to work on a project that will honor the art and the maker, and last a lifetime. On the other hand, there is something to be said for finishing a quilt.
Scraps, scraps, scraps! If you create fiber art, fabric scraps are a way of life. Too pretty (or expensive) to throw away, too many to keep contained. They must be good for something!
Fabric painting can take many forms, from applying fabric paint with a brush to stamping on fabric. In the February/March 2015 issue of Quilting Arts Magazine, Ana Buzzalino shows how to paint on fabric using Shiva® Paintstiks and handmade rubbing plates.
The pebble stitch is a popular filler stitch for free-motion quilting backgrounds. It's easy to get into a Zen-like state while machine quilting little connecting circles over and over again.
I left my heart in Austin...QuiltCon, the show put on by The Modern Quilt Guild (MQG), might be smaller in number of attendees and the amount of quilts on display than some of the larger shows
The 1970s were know for wild wallpaper, orange and brown plaid couches, and bell-bottoms--but quilt designs?
Is the Drunkard's Path quilt block the new hexie? We are getting tons of submissions for Drunkard's Path quilts in our in-boxes.
Many people--me among them--admire Jane LaFazio's approach to quilt making. She has a way of combining hand stitching, machine stitching, surface design, mixed-media, and even machine needle felting to create beautiful and unusual pieces of fiber art.