Printing on fabric is one of the easiest ways to create your own unique textiles. In our free eBook, Techniques For Printing on Fabric: Free Tutorials for DIY Screen Printing, Monoprinting and More, you'll learn how to make a silk screen, how to screen printing, gelatin and collograph monoprinting techniques, and more.
When you make a quilt, at some point you will have to consider the quilt binding. You may opt for an elaborate binding that makes an impact on the overall design, a simple and subtle binding, or no binding at all.
Last year about this time, I was inspired by a group dyeing adventure at the Interweave offices to host my own dyeing party at home.
The more closely I watch birds, the more fascinated I have become with trying to capture their colors and textures using fabric and stitchery. I have developed a design and sewing technique for "capturing the moment" in cloth and quilting stitches.
In The Art of Thread Sketching: Free Thread Drawing and Thread Painting Techniques, five quilt artists show you how to turn machine stitching into drawings with thread. Depending on the style and density of the stitching, thread sketching and thread painting can stand on its own or be combined with other techniques to give your quilt motifs dimension and life.
I'm an equal-opportunity fabric monger: I drool just as much over hand surface-designed fabrics. I gobble up every new technique and have even tried some fabric stamping, ice dyeing, resist dyeing, and fabric painting. I love it.
At its essence, making a quilt is simple: create a quilt sandwich with top fabric, backing fabric, and batting between them and stitch it all together.
Dimensional flowers lend beauty and texture to a piece of fiber art, but they are not easily accomplished. When I saw Barb Forrister's demonstration of how to make realistic looking flowers with a combination of machine embroidery and surface design techniques, however, I was intrigued and wanted to share the process with you.
Here's a little exercise that gives you a chance to flex your mixed-media stitch muscles and produce a little piece of fabric art.
Last year when Pantone announced its Color of the Year—Tangerine Tango—I was a fan. I like cheerful, sunny colors, and this one hit the spot for me. I could see using it in different modes, from fabric to embroidery, to surface design techniques.
Usually when we hear the word shibori, we think of dyeing. Shibori dyeing come from the Japanese term for several methods of resist dyeing using binding or tying, stitching, folding, twisting, compressing it, or capping to create patterns.
Finishing a large quilting project is always satisfying. I feel such a sense of accomplishment. But I have to admit: finishing small quilting projects is almost as gratifying, and I can get that feeling of accomplishment so much faster!
As you read this, picture me curled up on a comfortable chair by the fire, hand sewing. Although that's probably not the case, it's certainly what I would like to be doing on a cold, snowy day, wouldn't you?
When I returned to New England from QuiltCon in Austin, Texas, this week, I couldn't help but notice: it snowed again while I was gone. Yes, while I was in the climate-controlled comfort of the exhibit halls surrounded by colorful quilts--and quilters--Mother Nature had thrown another heavy blanket of snow over my region.
In the April/May issue of Quilting Arts I have an interview with artist Kate Themel, and I'm so excited by her painterly machine quilting and our conversation, I decided to give you a sneak peek.
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